Boaz Yakin isn't the most well known names in film. He's really something of a writer-for-hire for the most part. The vast majority of his films have been studio projects where he was simply brought on board to bring some studio's idea of a marketable project to life. He's made very few movies that have been... More personal, you might say. Fresh, however, is his crowning achievement, and a must see movie downloads for your queue.
This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.
Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.
Fresh spends one afternoon a week learning to play chess from his father, who is estranged from the rest of the family. These scenes are something like the Greek chorus scenes of the film, with Fresh reflecting on what's been happening and contemplating his next move.
Think of it as Fistful of Dollars set in the ghetto. When a girl Fresh has a crush on, as well as a childhood friend, are murdered in a random shooting by one of the drug dealers he works for, Fresh hatches a plan to take revenge on all of the pushers and scumbags he deals with on a daily basis, freeing himself and his family from the clutches of the drug dealers.
His plan is to basically take down all of the scumbags who have been controlling his life and free himself and his family from the clutches of drug dealers. The brilliant part of this plan is that, because he's just a child, they never suspect a thing. He plays chess with them in real life, and it has to be seen whether or not he'll come out on top.
The movie is, at times, brutally and shockingly violent. This is necessary to drive home the reality of Fresh's situation. He's not in a good place in life, his bosses menace him and threaten him with death at every turn, and he walks a tightrope in order to keep himself alive while at the same time taking down the people who torment him and his friends and family.
It's a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It's incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence.
This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.
Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.
Fresh spends one afternoon a week learning to play chess from his father, who is estranged from the rest of the family. These scenes are something like the Greek chorus scenes of the film, with Fresh reflecting on what's been happening and contemplating his next move.
Think of it as Fistful of Dollars set in the ghetto. When a girl Fresh has a crush on, as well as a childhood friend, are murdered in a random shooting by one of the drug dealers he works for, Fresh hatches a plan to take revenge on all of the pushers and scumbags he deals with on a daily basis, freeing himself and his family from the clutches of the drug dealers.
His plan is to basically take down all of the scumbags who have been controlling his life and free himself and his family from the clutches of drug dealers. The brilliant part of this plan is that, because he's just a child, they never suspect a thing. He plays chess with them in real life, and it has to be seen whether or not he'll come out on top.
The movie is, at times, brutally and shockingly violent. This is necessary to drive home the reality of Fresh's situation. He's not in a good place in life, his bosses menace him and threaten him with death at every turn, and he walks a tightrope in order to keep himself alive while at the same time taking down the people who torment him and his friends and family.
It's a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It's incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence.
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